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Akal曼达是由第六锡克教大师,大师Hargobind霁的锡克教徒作为政治主权的象征。它成立的地方锡克教人民的精神和时间问题可能会采取行动。它象征着政治和军事抵抗暴政和残忍的17到18世纪的统治者。在18世纪,Ahmed Shah型领导的一系列袭击Akal曼和Harmandir大人。Akal曼先生代表锡克教的主权国家。它象征着政治堡垒的莫卧儿王朝皇帝在17和18世纪。各种攻击Akal曼和曼迪尔先生所领导在过去Ahmed Shah型和马萨Rangar 18世纪。1984年6月4日,Akal曼严重受损时,印度军队试图入侵Darbar大人复杂。的Jathedar Akal Takhat是最高锡克教的发言人。Khande-Bate-Dee-Pahul用刀或发起,由大师高宾德辛格,Akal曼继续定期执行。 Hari Singh Nalwa, a General under Maharaja Ranjit Singh the leader of the Sikh Kingdom, wished to make the Akal Takht resplendent with gold and had donated a part of his wealth for this purpose. It is the most supreme of all the Takhts. The four other takhats are Keshgarh Sahib Patna Sahib Hazur Sahib Damdama Sahib Architecture On the original plot of land of the Akal Takhat, there only existed a high mound of earth across a wide open space, where Guru Hargobind as a child used to play. The Gurus original Takhat is said to have been a simple platform, 3.5 metres high, on which the Guru would sit like a king at court, surrounded by insignia of royalty such as the parasol and the flywhisk, and perform kingly tasks of receiving petitions and administrating justice. Today’s Akal Takhat is a large 5-storey modern structure (3 storeys were added by Maharaja Ranjit Singh) with inlaid marble and a gold-leafed dome, that does not convey the design of Guru Hargobind’s simple Takht or plinth. However, recent restoration work has uncovered a layer of lime plaster, with painted decoration, that may have been part of the original Takhat. That plinth was far higher than the plinth of the Harimandir; yet the absence of a superstructure kept the original Akal Takhat at a level lower than the shrine. The elaboration of the structure on marble pillars, as a semi-circular platform with an open view to the courtyard, reminiscent of an air-house, must have grown from the use to which the Durbar hall was put. The gilding of the ceiling with ornamentations like those in the interior of the Hari Mandir Sahib is perhaps later than in the holy of holies. The wall paintings apparently belong to a later period, as there are panels showing Europeans. The total effect of the Akal Takhat and the open courtyard, in front of the Darshani Deori and the viewa of the Amritsar beyond, is of a unique and noble structure
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Akal曼达是由第六锡克教大师,大师Hargobind霁的锡克教徒作为政治主权的象征。它成立的地方锡克教人民的精神和时间问题可能会采取行动。它象征着政治和军事抵抗暴政和残忍的17到18世纪的统治者。在18世纪,Ahmed Shah型领导的一系列袭击Akal曼和Harmandir大人。Akal曼先生代表锡克教的主权国家。它象征着政治堡垒的莫卧儿王朝皇帝在17和18世纪。各种攻击Akal曼和曼迪尔先生所领导在过去Ahmed Shah型和马萨Rangar 18世纪。1984年6月4日,Akal曼严重受损时,印度军队试图入侵Darbar大人复杂。的Jathedar Akal Takhat是最高锡克教的发言人。Khande-Bate-Dee-Pahul用刀或发起,由大师高宾德辛格,Akal曼继续定期执行。 Hari Singh Nalwa, a General under Maharaja Ranjit Singh the leader of the Sikh Kingdom, wished to make the Akal Takht resplendent with gold and had donated a part of his wealth for this purpose. It is the most supreme of all the Takhts. The four other takhats are Keshgarh Sahib Patna Sahib Hazur Sahib Damdama Sahib Architecture On the original plot of land of the Akal Takhat, there only existed a high mound of earth across a wide open space, where Guru Hargobind as a child used to play. The Gurus original Takhat is said to have been a simple platform, 3.5 metres high, on which the Guru would sit like a king at court, surrounded by insignia of royalty such as the parasol and the flywhisk, and perform kingly tasks of receiving petitions and administrating justice. Today’s Akal Takhat is a large 5-storey modern structure (3 storeys were added by Maharaja Ranjit Singh) with inlaid marble and a gold-leafed dome, that does not convey the design of Guru Hargobind’s simple Takht or plinth. However, recent restoration work has uncovered a layer of lime plaster, with painted decoration, that may have been part of the original Takhat. That plinth was far higher than the plinth of the Harimandir; yet the absence of a superstructure kept the original Akal Takhat at a level lower than the shrine. The elaboration of the structure on marble pillars, as a semi-circular platform with an open view to the courtyard, reminiscent of an air-house, must have grown from the use to which the Durbar hall was put. The gilding of the ceiling with ornamentations like those in the interior of the Hari Mandir Sahib is perhaps later than in the holy of holies. The wall paintings apparently belong to a later period, as there are panels showing Europeans. The total effect of the Akal Takhat and the open courtyard, in front of the Darshani Deori and the viewa of the Amritsar beyond, is of a unique and noble structure